Freeheld

**Spoiler Alert**

Director: Peter Sollett/Starring: Ellen Page, Julianne Moore, Michael Shannon and Steve Carell

Films that deal with contemporary issues are emotionally charged and often timely but they also tend to not be very cinematic. They also would seem to be more suitable for television.
Freeheld; a new film about the late Laurel Hester; the police officer who fought the Ocean County Freeholders in New Jersey to allow her partner to receive her pension, is the latest "issue" flick to make its way to screens nationwide. Don't get me wrong; her struggle for equality is an important subject but its artistic ambitions are stubbornly modest. The film elicits tears but it feels so much like a small screen production one might instinctively reach for a remote.

We see Hester (Julianne Moore) and her partner Dane Wells (Michael Shannon) making an undercover drug bust in the opening scenes. In the rough and tumble process, Hester is knocked to the ground. The scene effectively captures her courage and willingness to risk her life for her job; a fact that later becomes paramount.

Later, we see Hester at a women's volleyball game, where her lack of adroitness hardly escapes the notice of a young player on the opposing team; Stacie Andree (Ellen Page). Sparing Hester further humiliation, Stacie gently serves the ball to her, which earns her thanks from her opponent afterward. Standing in the parking lot after the game, Stacie asks Hester for her number, which progresses to a relationship from a series of dates.

We see a little of the sexism and homophobia the two woman face in their jobs and in public as the story unfolds. In one scene, three toughs take exception to the couple's public display of affection, then aggressively demand their money, only to be driven off when Hester pulls her gun. The act takes Stacie by surprise, as Hester is forced to reveal her occupation; much to her partner's dismay.

As the two become closer, they decide to buy a house. Wells himself becomes aware of his partner's orientation one day while delivering a house-warming gift. After meeting Stacie, he becomes angry with Hester for not trusting him enough to share her personal life with him.

As the two women settle into their domestic partnership, Stacie becomes aware of a chronic pain that Hester mentions one day while the two dance in their living room. Stacie urges her to see a doctor and in a heartbreaking scene that follows, the women learn of Hester's terminal lung cancer. Undaunted by the grim news, Stacie is unfailingly optimistic until they learn Hester's condition is incurable.

Certain of the hopeless situation, the couple realize that without Hester's income, Stacie will be unable to keep the house. Recognizing her partner's need for extra income, Hester initiates the process which will allow Stacie to receive her pension. Aware that local and state laws ensure Hester can pass on her pension to a domestic partner, the women learn the Ocean City Freeholders have decided otherwise. Several bigoted members reject her formal request. Weakened by her therapy and illness, Hester makes a formal plea to the Freeholders during a public meeting, only to be rejected again.
A reporter present at the meeting writes an article on the story and as it attracts local and regional attention, a gay activist named Steven Goldstein (Steve Carell) decides to take up her cause; organizing demonstrations and flooding the Freeholder meetings with protesters.

Stacie and Hester's struggle and Goldstein's efforts are widely known and public record, so it's hard to actually spoil the ending, though I will still refrain from mentioning it here.

One would have to be heartless or Republican not to be moved by Hester and Stacie's story. It is astonishing to consider how much has changed since the story made national headlines. The fact that the Supreme Court only recently ruled that same-sex marriage is a constitutional right makes the film's arrival very timely. But though the Supreme Court's decision is a legal victory, the film shows how virulent opposition has been and is. Of course it would be difficult to not think of recent headlines while watching the movie and the controversial case of Kim Davis, which makes Hester's story all the more relevant.

But as much as the subject matter moves me, I never felt I was watching a movie. I was emotionally involved in the story but I could see little reason for the movie to be projected on a large screen when a Samsung flat-screen would serve as well.
I have no quibbles with the performances, which one would expect to be top-notch. Both Ellen Page and Julianne Moore were quite terrific as was Michael Shannon though Steve Carell seemed to belong in another movie. The scene I found to be the most powerful is Wells' appeal to his colleagues to lend their support to Hester at a crucial Freeholder meeting. To see Shannon, who concurrently plays as a stone-hearted real estate speculator in 99 Homes portray someone more sensitive is startling and refreshing.

Freeheld is so heavily character-driven, the look and direction seem to be an afterthought. Director Peter Sollett has made better movies; one of which comes to mind is Raising Victory Vargas. But it is difficult to make movies about true stories that carry a social message and make them not seem like true stories that carry a social message. Try as he might, Sollett can't elevate screenwriter Ron Nyswaner's script to something cinematically poignant, as Jonathan Demme did with his script for Philadelphia.

Despite the film's sense of urgency, it can't shake its tee-vee-ness. It will play better on DVD, which should better accommodate its low-scale, visual ambitions. If nothing else, Laurel Hester's courageous story is never trivialized or made quaint. Her struggle for equality is still gripping a decade later.