Showing posts with label Tom Cruise. Show all posts
Showing posts with label Tom Cruise. Show all posts

Sunday, August 2, 2015

Mission Impossible: Rogue Nation



**Spoiler Alert**

Director: Christopher McQuarrie/Starring: Tom Cruise, Simon Pegg, Rebecca Ferguson, Jeremy Renner, Ving Rhames, Sean Harris, Simon McBurney, Alec Baldwin and Tom Hollander

One might expect a movie franchise like Mission Impossible to be staggering about and sputtering after its many iterations over a twenty-year span. Every installment has taken its sweet time making its way to the silver screen. Mission Impossible: Rogue Nation is only the fifth incarnation in what's become a very durable and very dependable action series. Like The Fast and the Furious films, which simply refuse to become dull and formulaic, Mission Impossible has remained a thrilling heart-thumper and shows no signs of slowing down (or coming to any foreseeable end). Director Christopher McQuarrie, the helmsman of the very unfortunate Jack Reacher, redeems himself with this latest MI film, which is aided considerably by a tight script and of course, the considerable charms of the IMF, or the Impossible Missions Force, as it is commonly known in the films.

Tom Cruise reprises his role as IMF's super operative Ethan Hunt, who, when the story begins, is knee-deep in a mission. As a cargo plane loaded with chemical weapons makes its way down a runway, Hunt manages to run onto the wing before hanging from the side door. IMF's computer whiz, Benji Dunn (the highly entertaining Simon Pegg) tries desperately to hack the plane's computer to open the side door before Hunt is undone by altitude and ferocious wind-currents. That the sequence was accomplished without CGI and a stunt double is truly amazing. Whether one feels Tom Cruise has taken leave of his senses for attempting a dangerous stunt for the sake of authenticity or dedicated professionalism, the fact remains; the scene is truly spectacular.

Meanwhile, the CIA director Alan Hunley (Alec Baldwin), appeals vigorously to a government committee for the IMF's dismantling; believing the covert group has gone rogue. The IMF's subsequent outlaw status makes Hunt a fugitive, which prompts a CIA, seize and capture operation. While Hunt is on the run, his key colleagues in the IMF; Dunn and William Brandt (Jeremy Renner) lay low as CIA employees; providing their colleague valuable intelligence. Luther Stickell (Ving Rhames), the other member of Hunt's group is virtually incommunicado; keeping his whereabouts secret.

While the CIA searches for Hunt, he is captured by a shadowy organization known as The Syndicate; a network of spies responsible for terrorist acts worldwide. Their leader, Solomon Lane (a delightfully sinister Sean Harris), is a former British intelligence operative who believes his organization can right the wrongs of the world by overturning the status quo. The Syndicate has few qualms about killing and doing so en masse to satisfy their amoral agenda.

Lane's thugs manage to capture Hunt, who is well aware of the Syndicate's destructive aims. While Hunt is tied up in a cell, a Syndicate butcher known as Janik Vinter (Jens Hulten) administers a beating before unveiling his array of tools meant to inflict painful and potentially lethal wounds. Before Vinter can begin, a woman working with The Syndicate helps Hunt to free himself before they escape together. Before he can learn her identity, she runs off while Hunt dodges bullets en route to his own freedom.

In time, with the help of Dunn, who plays video games at his desk in a London CIA field office when his supervisor isn't around, Hunt learns about a Syndicate operation targeting the Austrian Chancellor.

An exciting cat and mouse sequence in the Vienna Opera House finds Hunt and Dunn trying to find Syndicate operatives who are planning an assassination of the Austrian Chancellor. Hunt uncovers a tangle of would-be snipers. Among them is the woman who helped Hunt escape. Though she helped Hunt before, her actions always seem to be at cross-purposes with the IMF team. When the attempt on the Chancellor succeeds, Hunt and Dunn are aware that their presence will only incriminate them, which necessitates a hasty escape abetted by none other than the mysterious woman. Hunt learns she was actually trying to save the Chancellor and when questioned further, he learns she is Ilsa Faust (Rebecca Ferguson) a erstwhile member of MI6, who has joined The Syndicate in order to stop Lane.

Hunt, Dunn and Faust learn Lane is interested in obtaining encrypted information held in a digital vault in Morocco, inside a maximum security complex. Hunt and company discover the information they need is securely stored inside a water tank, which is accessible only by a dangerous dive and a formidable swim, which involves holding one's breath under water for several minutes. The sensitive and highly sophisticated alarm systems, which are triggered by the presence of metal, disqualify the use of oxygen tanks, which would compromise the mission. The break-in comes with its own perils, which hardly end with Hunt's harrowing dive into the water tank and his near drowning but with a hair-raising motorcycle chase through Moroccan hills.

Not long after, when Brandt and Stickell join Hunt and Dunn, the group learns the information they've stolen can only be accessed by the British Prime-Minister's retinal-scan, palm print and voice-recognition, which presents one more "impossible" mission they must accomplish. The contents of the stolen disc are of vital importance to The Syndicate but also to Hunt and the IMF. The data on the disc would prove the existence of the Syndicate, which Hunley and the CIA dismiss as a fiction crafted by Hunt.

Showdowns are inevitable and though we don't doubt the various outcomes, it is deliriously entertaining to watch the plot unfold.

One of the wonders of MI: Rogue Nation is Tom Cruise. How a 53-year-old man can manage the stunts and run about if he were still in his mid-thirties is mind-blowing but he does it all with dazzle. Rebecca Ferguson holds her own, engaging in intricately choreographed fight scenes without sacrificing her onscreen sex appeal.
Sean Harris makes an excellent, spy-movie villain. His whispery, raspy voice is a nice touch and his fashion sense is classic movie-bad guy couture; very impeccable and highly stylish.

I think the addition of Simon Pegg to the MI films has proven to be one of the best casting moves in the series. Pegg's natural, comedic flair compliments Cruise's tough-guy, onscreen persona. His levity also keeps the film from becoming mired in earnestness and self-seriousness.
McQuarrie demonstrates he can direct an action film; keeping its pace kinetic and action white-hot. Jack Reacher left much for he and Cruise to atone for.

I thought this might be the last Mission Impossible installment but the film and the filmmakers seemed to have avoided any conspicuous closure, which means we may see more in the future. Or will we? I guess that all depends on whether Cruise can meet the physical demands. But based on his physique, which looks as toned and muscled as everybody else's in the movie, he may be playing Ethan Hunt well into his 80s'.

MI: Rogue Nation is a treat. In a year where Liam Neeson's tough guys have put audiences to sleep and other actors have joined the CIA-trained-bad-ass bandwagon, Cruise's Ethan Hunt outclasses the amateurs by kicking tail convincingly. His character belongs on the super-spy Mt. Olympus, with Jason Bourne and 007.

At last, we have a summer thriller that actually features thrills, rather than just incoherent mayhem. I guess we'll have to wait and see if we see more of the IMF. More wouldn't necessarily be a bad thing. Or at least another round.

Saturday, June 7, 2014

Edge of Tomorrow



**Spoiler Alert**

Director: Doug Liman Starring: Tom Cruise, Emily Blunt, Bill Paxton and Brendan Gleeson

Tom Cruise, a sci-fi story, Summer movie season...sound familiar? Given his track record the last few years, it would be reasonable to expect one more tiresome Cruise movie but I was surprised to find he disappointed me--in the most pleasing way. Edge of Tomorrow isn't an assault on the ears and eyes with techno-mayhem straining movie-screen borders, but an exciting, edgy thriller with brains and heart. Sure, it has its moments of destruction and violence but with a terrific script by Christopher McQuarrie, Jez Butterworth, and John Henry Butterworth; based on the novel All You Need is Kill by Hiroshi Sakurazaka, it is all a part of the story-fabric rather than an end.

Tom Cruise plays Major Cage, a PR military officer of sorts whose sole responsibility is luring recruits for a war with an alien race called Mimics who have occupied most of Europe though they are contained for the moment. Cage travels to London to meet with General Brigham (Brendan Gleeson), who commands the British/American forces in the war. Brigham orders Cage to join the D-Day-like invasion of the beaches of France to film the combat for recruitment purposes. Cage balks at the idea; demonstrating an appalling lack of spine. Before he can leave the building, Brigham has him tasered and arrested for desertion. Cage wakes to find himself being ordered about by a tough Master-Sargeant named Farell (played amusingly by Bill Paxton) on a military base (formerly Heathrow Airport). Cage is treated as a deserter and stripped of his rank while forced to join a shabby unit who are scheduled to join the invasion force the next day.

His brothers-in-arms have little respect or patience for his un-trained, ill-prepared condition and let him know it; mocking him at every turn. Cage continues to resist the deployment but it proceeds as planned as the aircraft transporting the unit takes enemy fire, forcing the soldiers to leap willy-nilly from the craft's interior.
On the beach, destruction and chaos reign as soldiers are crushed by flying craft shot down from the sky and riddled with enemy rounds. Cage wanders about, afraid and tentative until he comes face to face with the alien enemy: a kind of octopus/spider hybrid; all tentacles and spinning, lethal aggression. While the tentacled creatures batter the humans about, including Cage, he manages to kill a nastier, bigger Mimic known as an Alpha, which drenches him in blood. Cage is also killed in the process. Or is he?

In time Cage learns that Mimic blood has given him the ability to re-live the day from the moment he arrives at the Heathrow base and in doing so, he learns the invasion will fail regardless of military intervention. He tries to convince the soldiers in his unit of his ability and what it means for them but it all has little effect.

While reliving the invasion, Cage meets a soldier who has become the face of the resistance; a no-nonsense woman named Rita (Emily Blunt), who can be seen in recruitment posters with the nickname "Full Metal Bitch."
After several loops where Cage saves Rita from a Mimic attack, she says to him "come and see me when you wake-up." Cage manages to find Rita during her rigorous training with Mimic-facsimiles. She is wary of him at first but understands his predicament. We learn thereafter that she too had his ability once but a blood transfusion dispelled the alien hemoglobin, rendering her unable to loop. Rita explains to Cage that the Mimics are controlled by a centralized mind called an Omega and because his blood has mingled with the aliens, they can attach a transponder--designed by Rita's tech go-to guy Dr. Carter (Noah Taylor)--to Cage that will allow them to locate the Omega. Rita also explains that if the Omega isn't destroyed, the Mimics will win the war because an enemy that knows the future can anticipate any attack. The Omega sends them on a wild-goose chase to a false location but after more looping and Cage's Mimic-ispired visions, they locate the alien mind, which rests underwater inside the subterranean chambers of the Louvre. In a clever twist, Cage also loses his ability to loop, which adds a tense, exciting wrinkle to their final mission.

The film is well-paced, very well-acted and exceptionally plotted. Because Cage relives one particular day, a la Groundhog Day, opportunities for humor abound and pervade what is mostly a dramatic, sci-fi story. It is amusing to see Cage anticipate Master-Sargent Farell's commands and befuddle his hostile unit with facts about their lives.

Blunt and Cruise share some glowing onscreen chemistry. It is refreshing to see Blunt's character as decisive and proactive while Cruise's Cage often follows her lead. Cage and Rita eventually establish an egalitarian bond that runs contrary to the male-always-leads default setting common in most Hollywood action films.

The skein the film creates with its wonderful plot is kept tangle-free though it also keeps one alert. I really liked the ending, which returns the story to something more human after the intensity of the climax. I also had to chuckle, seeing Paris and the Louvre reduced to stone detritus and the Eiffel Tower woefully toppled onto its side. Why Paris seems to always be the whipping boy in many sci-fi action movies is a mystery. I guess Hollywood filmmakers feel American audiences would rather the French suffer the devastation of an alien invasion than New Yorkers or Angelenos.

Doug Liman has given us Go with it's multiple threaded storyline and the hyper-kinetic Bourne Identity and here he gives us a little of both. One can only hope the rest of the Summer offerings will be as entertaining and intelligent. I left the theater feeling the current movie season at the multiplex might not be a bummer after-all. But it's only June.